Helen Marlais
Pianist, Pedagogue, Pedagogical author.
Rahbee’s Piano Sonata No. 2 is an appealing piece in the contemporary genre. Its wide-ranging expressive array is filled with fervor. The sonata’s untraditional tonalities allow the advanced student to experience a broader sense of musical expression. The first movement is rhapsodic in nature, the second is a playful scherzando, the third is warm and...
Premiered at Carnegie Hall in 2004, this adventurous one-movement work provides a variety of contrasting experiences for both the performer and their audience. Subtitled “Odyssey,” this piece presents a full range of moods and emotions that will challenge and inspire any pianist.
“Extremely positive in nature” has been said to describe the character of Piano Sonata No. 4 Op. 128.. The energy of this four-movement sonata is derived from its maestoso first movement – ?executed with feelings of happiness-and proceeded by its molto energico e presto second movement – ?performed with joy and excitement. The third movement,...
This two-volume collection of preludes contains short character pieces with a wide range of emotional expression and a wide range of technical demands from intermediate to advanced. The performer may decide to program these preludes as single pieces or in groupings in any order. While written in part as pedagogical exercises, these preludes are beautifully...
This two-volume collection of preludes contains short character pieces with a wide range of emotional expression and a wide range of technical demands from intermediate to advanced. The performer may decide to program these preludes as single pieces or in groupings in any order. While written in part as pedagogical exercises, these preludes are beautifully...
Discover and explore wonderfully modern sonorities! From lyrical (Slow, Sad Waltz, and Minor Serenade), to rhythmic (Drumming It Up), to simply amusing (Icicles, Teasing), Emma Lou Diemer asks the student to play with a colorful palette of different sounds, pedal effects, articulations, and in some cases, non-traditional techniques. These pieces are sure to bring enjoyment...
This book contains six sonatinas – some are well known, others are discovered gems, and two are by women composers. Every piece is in the original, complete form. Some titles/composers are: Little Sonata by Charles Wilton; Sonatina by Ferdinand Beyer; Blue Ridge Sonatina by Mary Leaf; and Sonatina: A Tale of Four Cats by Judith...
The ten sonatinas in Book 2 include pieces by Benjamin Carr, Peggy O’Dell, Félix le Couppey, and others. Discussion on sonata-allegro form is more in depth than Book 1 – describing parts within each movement, and how movements complement each other and form a complete musical picture. This book includes thematics, listening activities, a fill-in-the-blank...
Book 3 features more in-depth information about sonatinas (sonata-allegro form) and the classical era. Some titles not easily found in other collections, such as Sonatina in G Major by Le Couppey, and the complete Latour Sonatina in C Major, appear in this beautifully engraved volume. Each sonatina is in its original, complete form. Sonatinas by Fritz Spindler, Johann Baptist...
Intermediate to Late Intermediate Compiled and edited by Helen Marlais with Crystal Zimmerman Book 4 spotlights nine sonatinas from both the Classical and Romantic periods with works by Beethoven, Benda, Dussek, Reinecke, Biehl, Lynes, Köhler, Kuhlau, and Lichner. Every sonatina is in its original, complete form in this 84-page book. Each volume contains interesting historical...
